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媒介与叙事:理解"经典性"的一种跨媒介视角

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艺术经典作为一种特殊的历史流传物,皆由某种特定的物质材料或精神符号承载,经典建构因此在本质上也涉及文本传播问题.文本借助不同的媒介建构了差异性的文化生态,其媒介层面的表征是构成文本经典性的重要标志.以此为据,本文从"经典性"概念入手,逐层梳理了其与媒介合法性、跨媒介叙事、故事世界建构之间的辩证关系.媒介之于经典的基础作用由此可以得到必要说明;经典化历程所隐含的媒介辩证法也将得到有效揭示.文本经典地位的确立,既以其在历史流传过程中不断突破原有媒介的本真性、走向高度融合的跨媒介性为关键表征,又是借助跨媒介叙事所建构的故事世界、通过叙事元素叠加和形象谱系建构而不断得到强化的.
Media and Narrative:Understanding"Canonicity"from A Transmedia Storytelling Perspective
As a special type of historical heirloom,Art canon is carried by a certain material or spiritual symbol,and the construction of canon is therefore essentially related to the issue of textual dis-semination.The text constructs a diverse cultural ecology with the help of different media,and its repre-sentation at the media level is an important sign of the text's canonicity.Based on this,this paper starts from the concept of"canonicity"and analyzes its dialectical relationship with media legitimacy,trans-media storytelling,and storyworld construction.On the one hand,the fundamental role of the media to canon can be explained necessarily;on the other hand,the dialectics of the media implied in the pro-cess of canonization will also be effectively revealed.The establishment of a text's canonical status is characterized by its continuous breakthrough from the original media's authenticity in the process of his-torical circulation,towards a highly integrated intermediality.It is also strengthened by the storyworld constructed through transmedia storytelling,and by the superposition of narrative elements and the con-struction of image genealogy.

canoncanonicityintermedialitytransmedia storytellingstoryworld

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南京艺术学院艺术研究院(南京210013)

经典 经典性 跨媒介性 跨媒介叙事 故事世界

2024

浙江社会科学
浙江省社会科学界联合会

浙江社会科学

CSTPCDCSSCICHSSCD北大核心
影响因子:0.677
ISSN:1004-2253
年,卷(期):2024.(5)
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