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版权侵权视域下音乐作品相似性判定的接触标准细化路径

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在音乐作品侵权案件中,"实质性相似"常被视为唯一判定标准,忽略了"接触"作为保障独立创作自由的重要条件的独立性。对音乐作品相似性判定的"接触"标准的细化探讨应从"接触"原则的发展历程出发,分析其在数字音乐时代面临的挑战,并提出"接触"要件的灵活化和具体化适用原则,以更好适应音乐产业的复杂性和多样化。在探讨了"在先发表""广泛传播"和"同行注意"等"接触"要件的适用原则的基础上,提出了相应的细化路径,包括特殊化要件判断、"模仿律"视域下的标准细化以及新理论的应用。最终通过系统性研究,为司法实践提供更为全面和精确的"接触"要件适用标准,促进版权侵权判定的公平性和合理性。
Refinement Path of the Contact Standard for Determining Similarity in Music Works under the Context of Copyright Infringement
In copyright infringement cases involving music works,"substantial similarity"is often regarded as the sole standard for determining infringement,neglecting the independence of the"access"as an essential condition to protect independent creative freedom.The refinement of the"access"standard for determining similarity in music works should begin with the historical development of the"access"principle,analyzing the challenges it faces in the digital music era.This article proposes the flexibility and specificity of the"access"criteria and its application principles,which are better suited to the complexity and diversity of the music industry.Exploring the application principles of"prior publication","widespread dissemination",and"peer awareness"as"access"criteria,and it further suggests refinement paths including special criteria judgments,standard refinement within the scope of the"imitation rule",and the application of new theories.Through systematic research,this article aims to provide a more comprehensive and accurate standard for the application of the"access"criterion in judicial practice,thereby promoting fairness and rationality in copyright infringement determinations.

music workssubstantial similarityaccess standardcopyright infringement

张笑然

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福建农林大学 公共管理与法学院,福建 福州 350002

音乐作品 实质性相似 接触标准 版权侵权

2025

浙江工商大学学报
浙江工商大学

浙江工商大学学报

北大核心
影响因子:0.59
ISSN:1009-1505
年,卷(期):2025.(1)