《武汉防汛图卷》的创作基础与视觉解读
The Creative Basis and Visual Interpretation of Wuhan Flood Control Map Volume
余丽莹1
作者信息
- 1. 肇庆学院 美术学院、设计学院,广东 肇庆 526061
- 折叠
摘要
以20世纪的中国画改造为背景,结合近年来学界整理的关于黎雄才西北写生和创作《武汉防汛图卷》的文献资料,以黎雄才先生在20世纪40年代创作的"西北写生卷"和50年代创作的《武汉防汛图卷》为研究对象,从技法、构图、人物三个角度论证"西北写生卷"到《武汉防汛图卷》是一个写生到创作的探索过程,也是一个把传统符号与现实生活相结合的实践过程.这一实践开启了山水画新的创作源泉,使山水画艺术民众化,具有了新的社会功用,代表时代的新功能.
Abstract
Taking the transformation of Chinese painting in the 20th century as the background,combined with the literature about Li Xiongcai's northwest sketchmaking and creation of in recent years,taking the"North-west sketchmaking Scroll"created by Li Xiongcai in the 1940s and Wuhan Flood Control Map Scroll created in the 1950s as the research object,this paper,from the three angles of techniques,composition and characters,proves that"Northwest sketchbook"to is a process of exploration from sketchbook to creation,and also a practi-cal process of combining traditional symbols with real life.It opens a new source of creation of landscape paint-ing,makes landscape painting art popular,performs a new social function,and represents the new function of The Times.
关键词
《武汉防汛图卷》/"西北写生卷"/探索Key words
Wuhan flood control map volume/northwest sketch volume/exploration引用本文复制引用
出版年
2024
NETL
NSTL
万方数据