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从乐府诗看前七子对李白的接受

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前七子是明弘治、正德年间最具盛名的文学流派,为扫除明初文坛萎弱卑冗的局面,他们在明中叶掀起了一场以"文必先秦两汉,诗必汉魏盛唐"为口号的复古运动.而作为盛唐之音象征的李白古乐府,自然成为前七子学习的主要对象.前七子的乐府诗创作不仅化用李白的乐府诗句、模拟李白乐府诗中的典型意象、承袭李白豪放飘逸的乐府诗风,而且还接受了李白的"古乐府"要义.具体表现在乐府本身的沿用与发展,拟古乐府的合而若离、离而能合,以及乐府诗题正格的模拟与变格的发展等特点,呈现明显的学李倾向.这与前七子和李白有着相似的文化背景、诗歌理论、人生经历以及个性气质密切相关.
On the Acceptance of Li Bai by The First Seven Scholars from Yuefu Poems
"The First Seven Scholars"were the most famous literary schools during the Ming Hongzhi and Zhengde periods.In order to eliminate the weakness and redundant literary scene in the early Ming Dynasty,they launched a retro movement in the middle of the Ming Dynasty with the slogan"Literature must be in the pre-Qin and Han dynasties,and poetry must be in the Han,Wei,and prosperous Tang dynasties".As a symbol of the prosperous Tang dynasty,Li Bai's Yuefu poems naturally became the main object of study for"The First Seven Scholars".Their Yuefu poems not only adopted the sentences in Li Bai's poems,imitated his typical images,inherited his bold and elegant poetic style,but also accepted the essence of Li Bai's"Ancient Yuefu".It is embodied in the following characteristics:the continuation and development of the story of Yuefu poetry,the simulation of the separation and integration of ancient Yuefu poetry,and the simulation and development of Yuefu poetry,showing an obvious tendency to learn from Li Bai.This is closely related to the similar cultural background,poetry theory,life experience and personality temperament of the"The First Seven Scholars"and Li Bai.

Li BaiThe First Seven ScholarsYuefu poetryretro proposition

万紫燕、过江丽

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湖南理工学院中文学院,湖南岳阳 414006

李白 前七子 乐府诗 复古

2024

昭通学院学报
昭通师范高等专科学校

昭通学院学报

影响因子:0.127
ISSN:1008-9322
年,卷(期):2024.46(3)