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阿里改巴倒三角纹图符释读

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通过历史地理学和图像学相结合的研究方法,以阿里藏族改巴倒三角纹图符为研究线索,发现藏文化服饰历史没有断裂和藏汉交流史远比我们已知的更远更多更深刻的实证.改巴图符倒三角纹所承载的古老信息可追溯到古象雄文明的母系氏族文化,表现苯教母性崇拜和佛教金刚瑜伽母法源沟通凡神感官舒徐和精神慰藉,呈现西藏服饰亦教亦俗"伏藏"现象的原生艺术,提供了西藏服饰文化民族交流的古老范示,其藏学发现的意义堪比"邦典".改巴可谓西藏教俗文化的一部衣书,记录了从古至今宗教文化的变革与发展,看到了佛苯从斗争最终走向融合的历史印迹都深刻而生动地蕴藏在阿里改巴的图符之中.
Interpretation of Inverted Triangle Pattern Symbols On Gai Ba from The Ngari Area
This article attempts to use the research methods of historical geography and iconography,using inverted triangle symbol on the"Gai Ba"from the Ngari Areaof Tibet as the research clue,to find that there is no rupture in the history of Tibetan culture.Also the history exchange of Tibetan and Chinese is far more profound than what we know.The ancient information carried by the inverted triangular pattern on the"Gai Ba"can be traced back to the matriarchal clan culture of the ancient Zhang Zhung civilization.It represents the original art of Tibetan'sclothing,which combines the sex worship of the Bon Goddess and the origin of the Buddhist Vajra Yoga,with the sense of comfort and spiritual comfort of the gods.It provides an ancient example of Tibetan'sclothing culture as well as education and customs.Its Tibetan significance can be compared to"Bang Dian".The"Gai Ba"can be described as a book of religious and popular culture in Tibet,recording the transformation and development of religious culture from ancient times to the present,and seeing that the historical imprint of the transformation of Buddhism and benzene from struggle to integration is deeply and vividly contained in the symbols on"Gai Ba"from the Ngari Area in Tibet.

Gai Bainverted triangle patternsymbolsZhang Zhungoriginal art of tibetan's clothingmultidimensional integration

刘瑞璞、常乐

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北京服装学院服装艺术与工程学院,北京 100029

改巴 倒三角纹 象雄 原生艺术 多元一体

2024

昭通学院学报
昭通师范高等专科学校

昭通学院学报

影响因子:0.127
ISSN:1008-9322
年,卷(期):2024.46(4)