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"制器尚象"器物思想之于现代设计的启示

The Inspiration of the Theory of"Zhi Qi Shang Xiang"to Modern Designs

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传统器物是古人将"审美理想"器物化的产物,具有一定的功用及文化属性.传统造物思想是中华民族宝贵的精神财富,也是现代设计的精神源泉."造物"之"象"包含前人对生活的理解、对自然的思考,其内核是中国传统器物美学.文章以"制器尚象"造物思想为主体,从"象"的"象形""意象""道象"3 个层面进行分析,而后从现代之"器"与传统之"象"的关系出发,从"象形取意""观物取象""器以显象"3 个层面进行阐述,旨在对传统造物思想之于现代设计的启示有较为深入的探讨.
Traditional artifacts are the materialization of ancient peoples aesthetic ideals,possessing both utility and cultural attributes.The traditional ideology of craftsmanship is a valuable spiritual asset of the Chinese nation and serves as a wellspring of inspiration for modern design.The"image"of"making objects"embodies the understanding of life and contemplation of nature by predecessors,with the core being the aesthetics of traditional Chinese artifacts.This paper focuses on the theory of"Zhi Qi Shang Xiang"and analyzes the concepts of"object image","image",and"Tao image".It further investigates the relationship between contemporary"objects"and traditional"image",elucidating the notions of"shape representing meaning","observation of objects for inspiration",and"objects manifesting image".The aim of this paper is to delve into the insights that traditional craftsmanship ideology offers for modern design.

creation art ideologyzhi qi shang xiangmodern design

王姗

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新疆艺术学院,新疆 乌鲁木齐 830000

造物思想 制器尚象 现代设计

2024

鞋类工艺与设计
中国皮革和制鞋工业研究院

鞋类工艺与设计

ISSN:2096-9163
年,卷(期):2024.4(11)
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