从巴洛克到洛可可:浅谈家具设计风格中的女性符号与身份建构
From Baroque to Rococo:On Female Symbols and Identity Construction in Furniture Design Style
周樂 1汪令涵 2董雨琦1
作者信息
- 1. 南京师范大学美术学院,江苏 南京 210000
- 2. 南京师范大学文学院,江苏 南京 210000
- 折叠
摘要
巴洛克与洛可可艺术分别代表了16 世纪至18 世纪两个不同时期的艺术巅峰,巴洛克风格以其豪华、宗教和男性力量为核心,体现了男性的尊大与权威;而洛可可风格则以其轻盈、优雅和女性化装饰为特色,彰显了女性的柔美与细腻.洛可可时期,蓬巴杜夫人引领的女性风格不仅推动了艺术的繁荣,更象征着女性身份在社会中的变迁与建构.本文将巴洛克与洛可可时期的家具进行对比,回溯艺术风格的演变过程,探索性别观念与审美趣味的时代变迁.
Abstract
Baroque and rococo art represent the artistic peaks of two different periods from the 16th to the 18th century,respectively.Baroque style is centered around its luxury,religion,and male power,reflecting the dignity and authority of men;The rococo style,on the other hand,is characterized by its lightness,elegance,and feminine decoration,showcasing the softness and delicacy of women.During the rococo period,the female style led by madame pompadou not only promoted the prosperity of art,but also symbolized the transformation and construction of female identity in society.This article compares furniture from the baroque and rococo periods,traces the evolution of artistic styles,and explores the changes in gender concepts and aesthetic tastes of the times.
关键词
洛可可/巴洛克/家具设计/性别符号/女性主义Key words
rococo/baroque/furniture design/gender symbols/feminism引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据