符号学视阈下江永女书在展示空间设计中的语意转换
The Semantic Transformation of Jiang Yong's Women's Books in Exhibition Space Design from the Perspective of Semiotics
钱似锦 1毛可人 1朱梦薇1
作者信息
- 1. 河北师范大学,河北 石家庄 050010
- 折叠
摘要
拓宽传统文化的传承与传播路径,是构建文化自信核心策略.本文旨在探索符号学视角下江永女书这一传统的文化符号在展示性空间设计中的语意转换,以实现中国传统非遗文化在空间中的符号学表达.研究以展示空间为设计载体,以符号学作为重要切入点,从江永女书的符形提炼、符义解析和符用实践出发,探索设计实践中展示空间的空间造型、空间意图和设计反思.构建女书文化在空间设计中的符号学基础展示模型.以促进女书文化和展示空间的有机融合,为促进传统文化和区域社会经济的协同发展提供有价值的建议.
Abstract
Expanding the inheritance and dissemination path of traditional culture is a core strategy for building cultural confidence.This article aims to explore the semantic transformation of Jiangyong Women's Calligraphy,a traditional cultural symbol,in the design of exhibition spaces from a semiotic perspective,in order to achieve the semiotic expression of traditional Chinese intangible cultural heritage in space.The study takes exhibition space as the design carrier,with semiotics as an important entry point,and explores the spatial form,spatial intention,and design reflection of exhibition space in design practice,starting from the symbol extraction,symbol meaning analysis,and symbol application practice of Jiangyong Women's Book.Constructing a semiotic basic display model for the culture of female calligraphy in spatial design.To promote the organic integration of women's book culture and exhibition space,and provide valuable suggestions for promoting the coordinated development of traditional culture and regional socio-economic development.
关键词
索绪尔符号学/传统文化符号/形意转换/设计实践Key words
saussure semiotics/traditional cultural symbols/transformation of form and meaning/design practice引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据