鞋类工艺与设计2024,Vol.4Issue(23) :38-40.DOI:10.3969/j.issn.2096-3793.2024-23-013

基于图像学理论下分段式神兽镜的图案分析研究——以鄂州黄龙神兽镜为例

Research on Pattern Analysis of Segmented Beast Mirrors based on Image Theory——Taking the Ezhou Huanglong Divine Beast Mirror as an Example

陈怀玉
鞋类工艺与设计2024,Vol.4Issue(23) :38-40.DOI:10.3969/j.issn.2096-3793.2024-23-013

基于图像学理论下分段式神兽镜的图案分析研究——以鄂州黄龙神兽镜为例

Research on Pattern Analysis of Segmented Beast Mirrors based on Image Theory——Taking the Ezhou Huanglong Divine Beast Mirror as an Example

陈怀玉1
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作者信息

  • 1. 湖北大学,湖北 武汉 430062
  • 折叠

摘要

魏晋是鄂州铜镜发展的繁荣时期,由于时代和社会的原因道教兴起,使神仙瑞兽题材颇为流行.通过运用潘诺夫斯基的图像学理论的 3 个方法——图像描述、图像分析、图像寓意,3 个不同的层次进行分析.本文以魏晋时期具有特色的分段式神兽镜为主要研究对象,探索和分析铜镜背后所隐藏的文化寓意和社会风尚.

Abstract

The Wei and Jin dynasties were a prosperous period for the development of bronze mirrors in Ezhou.Due to the rise of Taoism in the era and society,the theme of immortals and auspicious beasts became quite popular.By applying Panofsky's three methods of image theory-image description,image analysis,and image symbolism-analysis is conducted at three different levels.The article focuses on the segmented divine beast mirror with distinctive features from the Wei and Jin dynasties,exploring and analyzing the cultural symbolism and social trends hidden behind the bronze mirror.

关键词

鄂州铜镜/图像学/分段式神兽镜

Key words

ezhou bronze mirror/image science/segmented divine beast mirror

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出版年

2024
鞋类工艺与设计
中国皮革和制鞋工业研究院

鞋类工艺与设计

ISSN:2096-9163
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