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设计现象学及其意向图式探析

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设计作为人类的基本活动和人性的展开方式,普遍存在于人类演化全程及所有活动场域.然而,长期以来人们对设计本身的关注和思考严重缺席.由于本文所论的"四重遮蔽"(1."遗忘存在"的遮蔽;2."重理传统"的遮蔽;3.设计专门化的遮蔽;4.人工制品的遮蔽),设计在人类活动中的根本地位和作用直至工业时代才逐渐开显.因而,揭示设计的本质,既须反思哲学传统,审视传统哲学的主题及其展开逻辑的主脉;亦须透过复杂的技术现象,特别是大规模的人工物的构架及其生成道路,考察设计被遮蔽的原因.以"回到实事本身"为原则,通过对伊德的技术现象学的批判拓展,基于"人-造-物"的现象学分析,循"造"而入,阐明"造"物之理,我们经由"相生""人化""物化""相成"四种意向图式使设计的本质得以显现.与其说技术是人的命运,毋宁说是设计决定了人的命运,因此,人类需要建立贯通历史的整体论的"大设计"观.
Exploring the Phenomenology of Design and Its Intentional Schemas
Inherent in human nature as a fundamental activity and expression,design pervades human evolution and all domains of human activity.However,history has witnessed to a long-standing negligence and lack of scrutinization on design in itself.Addressing the"fourfold concealment,"namely of forgetting existence,of adhering to rationalist tradition,of specializing and of artifact,this paper will disclose the fundamental significance of design in human activities which has only gradually emerged during the industrial age.To unveil its essence it is required to reflect on the philosophical tradition and to examine the obscured nature of design through complex phenomena of technology,especially the particularly large-scale gestalts and genesis of artifacts.Adhering to the principle of"returning back to things themselves,"and via a critical expansion of Ide's phenomenology of technology,the essence of design is elucidated by means of the intentional schemas of"mutual generation,""humanization,""materialization,"and"mutual integration."Design,rather than technology,shapes human destiny,thereby calling for a holistic view of"grand design"over through the entire human history.

王金柱

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安徽大学哲学学院

设计 现象学 遮蔽 造物 意向图式

安徽省高等学校哲学社会科学研究重大项目(2023)安徽大学文学院与哲学学院共建项目

2023AH040001

2024

哲学研究
中国社会科学院哲学所

哲学研究

CSTPCDCSSCICHSSCD北大核心
影响因子:0.478
ISSN:1000-0216
年,卷(期):2024.(5)
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