缘自"叠演"的"层析"——蒙古族口传音乐胡仁乌力格尔演唱流派的风格生成研究
齐琨1
作者信息
摘要
在胡仁乌力格尔的口头表演实践过程中,胡尔奇们在"曲调框架"上叠加了构成流派特征的演乐内容,论文称其为"叠演".因为在风格生成与传承过程中具有"叠演"的特征,论文对内蒙古自治区兴安盟科尔沁右翼中旗胡仁乌力格尔三大流派核心表演者的演唱风格,在听觉感受、音乐形态、唱词布局、人生经历四个层面进行解析,从而回答何为显性—表层的流派特征,何为隐性—深层的流派特征,论文称其为"层析",以此观照演唱类音乐风格分析的路径与方法.
Abstract
The term"performance superposition"applied in this paper describes a Quγur-un Üliger oral performance practice,in which the Quγurči superimpose the performance contents that symbolize characteristics of a school over the basic tune framework.For the reason of this idiomatic practice existed in the process of stylistic formation and inheritance and by means of the method of layered analysis,this paper interprets separately the ex-plicit-surface and implicit-deep school characteristics from four aspects of auditory perception,music forms,lyrics layout and life experience in terms of the research on singing styles of three major schools'leading perform-ers in Horqin Right Middle Manner of Hinggan League,Inner Mongolia Autonomous Region.
关键词
胡仁乌力格尔/胡尔奇/流派风格生成/音乐表演/口传音乐Key words
Quγur-un Üliger/Quγurči/stylistic formation/music performance/oral music引用本文复制引用
基金项目
中国音乐学院科技创新服务建设基本科研业务费中国音乐表演理论研究项目(第一期)()
出版年
2024
NETL
NSTL
万方数据