三重空间的对话——贝艾特·福瑞歌剧《紫色的雪》创作研究
刘思齐1
作者信息
摘要
贝艾特·福瑞(Beat Furrer,1954-)是奥地利当代著名作曲家,其创作取得了瞩目成就,歌剧《法玛》(Fama)2006年获得威尼斯双年展"金狮奖",2014年获"奥地利国家大奖",2018年获"恩斯特·冯·西门子音乐大奖",2019年他的第八部歌剧《紫色的雪》(Violetter Schnee)在德国柏林国家歌剧院一经首演,即获得了国内外学者们的广泛关注.文章从对这部歌剧中的三重空间观念、三重空间的对话进行详细分析,展现作曲家的创作路径,以及在这部歌剧创作过程中对自我的创新与突破,以期对欧洲现代歌剧研究和国内歌剧的创作带来新的思考.
Abstract
Austrian composer Beat Furrer is one of Europe's renowned contemporary composers and has a-chieved great success with his works.His opera Fama won the Golden Lion Award in 2006,the Austrian State Prize in 2014,the Ernst von Siemens Music Prize in 2018.The premiere of his eighth opera,Violetter Schnee at the Staatsoper Unter den Linden in 2019 has received wide attention from scholars at home and abroad and has made remarkable achievements.This study analyses this work in detail from the concept of triple spaces and the dia-logues of triple spaces in this opera,with a view to demonstrate the composer's path of creativity,innovations and breakthroughs when composing this opera,and to bringing new perspectives to the study of European contemporary opera and the creation of domestic opera.
关键词
贝艾特·福瑞/《紫色的雪》/三重空间/哀伤的七个阶段/彼得·勃鲁盖尔/《雪中猎人》/卢克莱修/《物性论》Key words
Beat Furrer/Violetter Schnee/triple spaces/seven stages of Grief/Bruegel Pieter/Hunters in the Snow/Titus Lucretius Carus/De Rerum Natura引用本文复制引用
出版年
2024
NETL
NSTL
万方数据