摘要
马克思主义是于润洋音乐学研究的核心,也是他提出"音乐学分析"极为重要的思想基础.文章将音乐学分析作为马克思主义在音乐研究中的一次实践,分析了音乐学分析与马克思主义的内在逻辑关系,着重讨论了音乐形式问题,把它作为一个马克思主义艺术研究的出发点和必要途径,并将音乐学分析与20世纪下半叶一些新的学术思潮相关联.
Abstract
Marxism is the core of YU Runyang's musicological research and the extremely important ideological foundation for his proposal of"musicological analysis".The article regards musicological analysis as a practice of Marxism in music research.It analyzes the internal logical relationship between musicological analysis and Marx-ism,and focuses on discussing the issue of musical form,which is regarded as a starting point and necessary ap-proach for Marxist art research.Additionally,it connects musicological analysis with some new academic trends in the second half of the 20th century.
关键词
马克思主义/音乐学分析/于润洋/形式Key words
Marxism/musicological analysis/YU Runyang/form引用本文复制引用
出版年
2024
NETL
NSTL
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