中国近现代音乐创作中民歌元素的应用——基于代表作品的评述与分析
斯蒂芬·琼斯 1孔维锋 2乐未央3
作者信息
- 1. 美国杨百翰大学
- 2. 天津音乐学院人文学院;天津音乐学院国际交流合作中心
- 3. 中央音乐学院
- 折叠
摘要
受到许多其他国家作曲家的影响,萧友梅、黄自等作曲家主张利用中国民歌这一丰富的资源,结合西方音乐创作手法,创立"国民乐派".数十年来,将民歌融入新作品已成为中国作曲家界定其音乐为"中国音乐"的重要手段之一.在文章中,我将简要探讨是什么动机激发了作曲家去追寻民族音乐,并分析贺绿汀、马思聪、江文也、朱践耳和贾国平等人的音乐作品片段,重点关注他们在音乐创作中如何融入民歌和中国传统音乐元素.
Abstract
Influenced by composers in many other countries,Chinese composers such as XIAO Youmei and HUANG Zi advocated to establish the national music school(国民乐派)by utilizing the rich resource of Chinese folk songs and combining them with Western compositional techniques.Since then,for many decades,the inclusion of folk music into new works became one of the primary means by which Chinese composers defined their music as"Chinese Style."In this article I will briefly explore what motivated composers to search for a national music and analyze excerpts of music works by HE Luting,MA Sicong,JIANG Wenye,ZHU Jian'er,and JIA Guoping,focusing on the ways they have incorporated folk songs and traditional Chinese musical elements in their music works.
关键词
中国音乐/当代创作/民歌/传统音乐/民族性Key words
Chinese music/contemporary music composition/folk songs/traditional music/nationality引用本文复制引用
出版年
2024
NETL
NSTL
万方数据