论黄永熙艺术歌曲《声声慢》的音乐创作思维
孙兆磊 1留生2
作者信息
- 1. 曲阜师范大学
- 2. 安徽师范大学;上海音乐学院;浙江音乐学院长三角音乐历史与文化中心
- 折叠
摘要
黄永熙创作于1945年的古诗词艺术歌曲《声声慢》对中西作曲技术的融合做了有益探索,体现在如下几点:由多段连缀构成的二部曲式;具有规律性的两种词曲律动关系;具有展衍特征的旋律建构以及旋宫转调;传统调性布局下有序的和声组织.作曲家从李清照原词"悲秋怀远"的立意中开掘出质朴深绵的音乐内涵,寄托着怨诉悲泣的离愁别绪,揭示出"不示弱、不屈服"的词人心理.
Abstract
The art song Shengshengman with an ancient poem as lyrics composed by Wong Wing hee in 1945 explored significantly on the integration of Chinese and Western compositional techniques,which is manifested in the following aspects:a binary form constructed by multiple-connected sections(多段连缀);two regularly rhyth-mic relationships between lyrics and music;melodic shaping with developmental characteristics and modulation of tonic shifting(旋宫);and an orderly harmonic progression under the traditional tonal scheme.The composer un-earthed the simple and profound musical connotation of"lamenting autumn and longing for afar"from LI Qingzhao's famous poem,entrusted the sentiment of parting filled with resentment and lamentation,and revealed the poet's psychology of"being neither humble nor pushy".
关键词
黄永熙/《声声慢》/中西融合/音乐创作思维/创作成就Key words
Wong Wing hee/Shengshengman/integration of Chinese and Western music/musical composi-tional thinking/creative achievements引用本文复制引用
出版年
2024
NETL
NSTL
万方数据