清代梨园花谱戏曲评点初探
A Preliminary Exploration of the Commentary on the Anthography of Chinese Operatic Circle in the Qing Dynasty
张金蕾1
作者信息
- 1. 郑州航空工业管理学院,河南 郑州 450046
- 折叠
摘要
梨园花谱是清代戏曲的衍生物,其创作者多是具有学识素养的文人.花谱中对戏曲伶人的评点,包含着对具有丰富舞台经验的伶人艺术实践的肯定,蕴藏着清代文人戏曲鉴赏的美学观念:在舞台表演上,重视体验与表现的艺术手段;追求"形神兼备"的艺术效果,警醒过犹不及的表演,体现了隽永、含蓄、冲淡的美学品味;对演员的品鉴,"色"与"艺"的权重发生改变,逐渐向重"艺"轻"色"的趋势发展.这些观点,相对较为零散、感性、含混,缺乏体系和理论的自觉,但颇有见地,具有一定的前瞻性,是深化清代戏曲研究的有益补充.
Abstract
The anthography of Chinese operatic cycle is a derivative of the opera in the Qing dynasty,and its cre-ators are mostly literati with scholarly knowledge.The comments on the opera performers in the anthogra-phy include the affirmation of the artistic practice of the performers who have rich stage experience and the aesthetic concept of the Qing dynasty literati's opera appreciation:in the stage performance,it attach-es great importance to the artistic means of experience and expression;the pursuit of the"unity of form and spirit"of the artistic effect and the warning of the overly excessive performances reflect the aesthetic tastes of timelessness,implicity,and dilution;as to the appraisal of the performers,the weight on"col-or"and"art"has changed,whose trend is gradually developing from emphasizing"art"to lighting"col-or".These views are relatively scattered,sensitive and vague,lacking in systematic and theoretical con-sciousness,but they are insightful and have a certain degree of foresight,and are a useful addition to deepen the study of the opera in Qing dynasty.
关键词
清代/梨园花谱/戏曲评点Key words
Qing dynasty/anthography of operatic circle/opera commentary引用本文复制引用
出版年
2024
NETL
NSTL
万方数据