郑州航空工业管理学院学报(社会科学版)2024,Vol.43Issue(5) :83-88.DOI:10.19327/j.cnki.zuaxb.1009-1750.2024.05.012

"三玄"中的"象"与"象罔"语义探赜

The Semantics of"Xiang"and"Xiang Wang"in the"San Xuan"

胡远远
郑州航空工业管理学院学报(社会科学版)2024,Vol.43Issue(5) :83-88.DOI:10.19327/j.cnki.zuaxb.1009-1750.2024.05.012

"三玄"中的"象"与"象罔"语义探赜

The Semantics of"Xiang"and"Xiang Wang"in the"San Xuan"

胡远远1
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作者信息

  • 1. 郑州航空工业管理学院,河南 郑州 450046
  • 折叠

摘要

魏晋时期始称《老》《庄》《周易》为"三玄","三玄"作为中国早期哲学典籍,是溯源"象"与"象罔"语义的重要文本依据."象"与"象罔"的语义及其衍变路径,蕴含在概念发生的语境之中,并在与相关概念的关系中呈现出来.概言之,"象"的语义在由上而下、道生万物的化生哲学中生成,"兆见曰象",指事物从无形到有形的中间状态."象罔"的语义在由下而上的认知过程中生成,本质上是一种以物观物、超象显现的审美方法."象"源于对"道"的形而上想象,"象罔"是对形而下世界的审美超越,立象尽意是礼乐教化再造人文空间的具体手段,三个维度共同构成了一个完整的象性时空,并形成了"象"作为哲学、艺术与审美概念,乃至思维方式的多层语义结构.溯源"象"与"象罔"的语义及其衍变路径,能够为当代意象批评提供理论参照,呈现概念对中国美学独特性的深远影响.

Abstract

During the Wei and Jin dynasties,Lao,Zhuang,and Zhouyi were first referred to as the"San xuan".As early.philosophical classics in China,"San xuan"served as an important textual basis for tracing the se-mantics of"Xiang"and"Xiang wang".The semantics and evolutionary paths of"Xiang"and"Xiangwang"are contained in the context in which the concepts occur and presented in their relationship with related concepts.In general,the semantics of"Xiang"are generated in the philosophy of transformation from top to bottom,where the Tao gives birth to all things."Emerging is called an'Xiang'"refers to the intermedi-ate state of things from intangible to tangible.The semantics of"xiang wang"are generated in a bottom-up cognitive process and are essentially an aesthetic method that manifests through objectification and super-imagery.The concept of"Xiang"originates from the metaphysical imagination of"Tao",while"Xiang wang"represents an aesthetic transcendence of the world beyond form.The concrete means of reconstruct-ing humanistic space through ritual and music education is to fully express the meaning of the image.These three dimensions together constitute a complete symbolic time and space,and form a multi-layered semantic structure of"Xiang"as a philosophical,artistic,aesthetic concept,and even a way of thinking.Tracing the semantics and evolutionary paths of"Xiang"and"Xiang wang"can provide theoretical refer-ences for contemporary image criticism and demonstrate the profound influence of concepts on the unique-ness of Chinese aesthetics.

关键词

/象罔/三玄

Key words

Xiang/Xiang wang/San xuan

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出版年

2024
郑州航空工业管理学院学报(社会科学版)
郑州航空工业管理学院

郑州航空工业管理学院学报(社会科学版)

CHSSCD
影响因子:0.2
ISSN:1009-1750
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