The Relationship between Language and Image,Visual Types,and Theoretical Foundations:Traditional Poetry Graphic Patterns in Visual Interplay between Language and Image
The Relationship between Language and Image,Visual Types,and Theoretical Foundations:Traditional Poetry Graphic Patterns in Visual Interplay between Language and Image
In the context of the relationship between Chinese literature and images,linguistic-visual imitation occurs along two paths.Beyond themes and content,there is also a form of visual imitation,with the most typical example being traditional poetry and graphic patterns.In the creation of traditional poetry and graphic patterns,it is neither a case of having a linguistic image text first,which then"externalizes and extends"into another image text,nor is it a case of having an existing image text that"externalizes and extends"into another linguistic image text.Instead,the text,themes,and content of the linguistic image remain unchanged;it is merely the visual form and arrangement of the text that directly transform into"graphic patterns."The image text is essentially the linguistic image text with a changed arrangement and reading method;both merge to present the characteristic of the inseparability of language and image.The visual types of traditional poetry and graphic patterns can be broadly categorized into three major classes:physical form,palindrome,and spiritual intelligence body.The theoretical basis for these can be interpreted from four aspects:philosophy,philology,poetics,and visual principles.
关键词
传统诗词图形图案/语图关系/视觉类型/学理依据
Key words
traditional poetry graphic patterns/linguistic-visual relationship/visual typology/theoretical foundation
维普
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