摘要
一方面王国维深受西方"形象直观说"的启发,将"境界"的"不隔"视为文学创作最根本的特质,弥补了中国文论的不足,打通了中西文学的联系,奠定了中国文论现代化的基础,另一方面无论是在"境界""不隔"等概念的选择上,还是在实现"不隔"的途径上,王国维又都切实行走在中国文论的大地上.正因为如此,我们认为王国维不仅是中国文论现代化的奠基者,也是西方文论中国化的开创者.他在文学可感性问题上所作的阐述,不仅展现了鲜明的中国特色,而且也呈现出高超的中国智慧,可以说无论在时间上还是程度上,都堪称西方文论中国化的第一范例.
Abstract
On one hand Wang guowei laid the modern foundation of Chinese literary criticism,because he was stimulated by Western image and visuality concept to regard the sensibility of jingjie as the most fundamental feature of literature creations,and not only cov-ered the shortage of Chinese literary criticism but also made the comparison of Chinese and Western literatures to become possible,but on the other hand Wang Guowei really walked on the land of Chinese literary criticism when he selected the conceptions"jingjie"and"sensibility"into his system info or the specific way for the sensibility of jingjie.Just because of the above,we think that Wang Guowei was the founder of the modernization of Chinese literary criticism,also the pioneer of the sinicization of Western literary criticism.His expatiation about the literature sensibility,which showed the distinctive Chinese characteristics and Excellent Chinese wisdom,can be regarded as the best example of the sinicization of Western literary criticism in time and level.