中国古典美学研究的反思与探索
Reflection and Exploration on the Research of Classical Aesthetics in China
曲经纬1
作者信息
摘要
汉语界美学学科和相关论域的建立,是在以经史子集之学为核心的古典国学转换为美学的现代学科表达中产生的.中国古典美学是古与今、中与西碰撞融合下产生的现代学术形态,其以今释古、以西释中的合法性根据,需要在不断反思和质疑中得到巩固,并在此基础上谨慎进行中国古典美学方法论上的尝试探索:在对中国古典审美经验进行现象还原的基础上,感知探索其本体论驱动所在,将形而上的精神经验与形而下的感性经验相结合,以具有代表性形态的个案研究进行纯粹审美精神史的展开,代替依据朝代更迭割分美学史料的断代式研究,将审美本体演变的逻辑线索与古典审美经验突破的显现形态相印证,以此呈现中国古典美学史的脉络主线.
Abstract
The establishment of the discipline of aesthetics in the Chinese language and related fields of discourse arose from the trans-formation of the classical Chinese studies with the study of classics and history as the core into the expression of modern disciplines of aesthetics.Chinese classical aesthetics is a modem academic form produced by the collision and fusion of the past and the present,and the Chinese and the West.The legitimacy of its interpretation of the ancient and the Western interpretation of the Chinese needs to be consolidated through constant reflection and questioning,and on this basis Cautiously try to explore the methodology of Chinese classi-cal aesthetics:on the basis of the phenomenon reduction of Chinese classical aesthetic experience,perceptually explore its ontological driving force,combine metaphysical spiritual experience with metaphysical perceptual experience,and form a representative form The case studies(such as Zhuangzi aesthetics,metaphysics aesthetics,Zen aesthetics)carry out the development of pure aesthetic spiritual history,instead of chronological research(such as pre-Qin aesthetics,two Han aesthetics,Wei and Jin aesthetics,Tang and Song aes-thetics,Aesthetics of the Ming and Qing Dynasties),which corroborates the logical clues of the evolution of aesthetic ontology and the appearance of breakthroughs in classical aesthetic experience,thereby presenting the main line of the history of Chinese classical aes-thetics.
关键词
中国古典美学/审美本体/中国话语/美学方法论Key words
Chinese classical aesthetics/aesthetic ontology/Chinese discourse/aesthetic methodology引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据