摘要
运用文献查阅、田野调研等方法,结合文化生态学理论,从艺术载体与自然环境、民俗功能与文化环境、文化认同与社会环境三个层面分析了国家级非物质文化遗产郎庄面塑的文化生态系统构成以及内部的耦合关联性.从"受众客体""传承主体""民俗功能"三方面总结了郎庄面塑文化生态的失衡表征,并提炼出当前的内、中、外文化生态系统发展困境.在此基础上,构建出郎庄面塑的文化生态保护路径:基于注重本体创新性发展的内生力强化、基于落实现代非遗教育体系的主体源优化和基于营造传承发展氛围的外生态环境构建.
Abstract
Using document research and field investigation methods,combined with the theory of cultural ecology,this paper analyzes the cultural ecological system composition and the coupled correlation within the three layers of art carrier and natural en-vironment,folk custom function and cultural environment,and cultural identity and social environment of Langzhuang clay sculp-ture,a national intangible cultural heritage.It summarizes the imbalance manifestations of Langzhuang clay sculpture cultural ecol-ogy from the perspectives of"subject of audience,""inheritance subject,"and"folk custom function,"and extracts the cur-rent internal,middle,and external cultural ecological system development dilemmas.Based on this,a cultural ecological protection path for Langzhuang clay sculpture is constructed by strengthening the internal vitality of the art carrier's innovative development,optimizing the subject source of modern intangible heritage education system through falling into place,and constructing the exter-nal ecological environment for inheritance.
维普
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