首页|扎根乡土 黄梅芬芳——黄梅戏望江龙腔民间传承人陈玉培先生访谈录

扎根乡土 黄梅芬芳——黄梅戏望江龙腔民间传承人陈玉培先生访谈录

扫码查看
黄梅戏形成之初,吸收了活跃在皖、鄂、赣三省交界处的诸多民间戏曲声腔,望江龙腔就是其中之一.陈玉培是黄梅戏望江龙腔第四代传承人之一,青年时代与望江龙腔结缘,他一生学艺、从艺、授艺,足迹遍布皖鄂赣三省,始终活跃在广阔的乡村戏曲舞台上,成为黄梅戏望江龙腔在民间发展的见证者与实践者.他的个体经历既具有地方性,又具有民间戏曲传承人的普遍性,展现了黄梅戏望江龙腔在民间自然演进的轨迹,反映了民间戏曲传承人及戏曲班社的生存状态及发展困境.在他的访谈中可以看到民间戏曲传承人对黄梅戏的深切热爱.望江龙腔等戏曲非遗的传承保护,需要专业院团、新媒体等机构对民间戏曲从业者、爱好者予以指导,使其在民间土壤上焕发出新的生命力.
Interview with the Inheritor of Wangjiang Long Tune
Before the official name of Huangmei Opera in the 1950s,it's vocal cavity art and script repertoire absorbed many folk vocal ac-tive at the junction of Anhui,Hubei and Jiangxi provinces,among which Wangjiang Long Tune is one of the sources of tunes and repertoire of Huangmei Opera.Chen Yupei is a native of Wangjiang,who has studied Wangjiang Long Tune with the third-generation inheritors of Wangjiang Long Tune since he was a teenager,rooted in the countryside and made a living from it,and has traveled all over the junction of Anhui,Hubei and Jiangxi provinces,and is a practitioner and witness of the development of Wangjiang Long Tune and Huangmei Opera art in the people.Through Mr.Chen Yupei's interview,we can see the natural development of Wangjiang Long Tune as a folk art and the long-term contribution made by Huangmei opera art as a local drama in serving rural spiritual civilization.

Wangjiang Long Tunenon-genetic inheritanceHuangmei Opera

张瑾

展开 >

安庆师范大学 皖江历史文化研究中心,安徽 安庆 246011

望江龙腔 非遗传承 黄梅戏

2024

安庆师范大学学报(社会科学版)
安庆师范学院

安庆师范大学学报(社会科学版)

CHSSCD
影响因子:0.25
ISSN:1003-4730
年,卷(期):2024.43(6)