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论吕天成、祁彪佳的皖籍曲家批评

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吕天成《曲品》、祁彪佳《远山堂曲品·剧品》都对明代皖籍曲家的创作和戏曲理论给予了密切关注,二人都特别重视徽州戏曲家和尊崇皇室成员朱有燉,相较吕天成的戏曲批评,祁彪佳更加欣赏皖籍曲家的杂剧创作.吕、祁二人都意识到明代安徽戏曲发展离不开曲家的家世传承以及"江山之助",并且十分重视皖籍曲家曲作的"排场".
On the Criticism of Anhui Traditional Opera Writers by Lv Tiancheng and Qi Biaojia
Lv Tiancheng's"Qu Pin"and Qi Biaojia's"Yuan Shan Tang Qu Pin·Drama Pin"both paid close attention to the creation and op-era theory of Anhui native composers in the Ming Dynasty.They all attach great importance to Huizhou opera masters and respect the royal fami-ly member Zhu Youdun.Compared to Lv Tiancheng's opera criticism,Qi Biaojia appreciates the miscellaneous opera creations of Anhui opera masters more.Both Lv and Qi realized that the development of Anhui opera in the Ming Dynasty could not be separated from the family heritage of the Qu family and the"help of the country",and attached great importance to the"paichang"of the Qu family's works.

Lv TianchengQi BiaojiaCriticism of Traditional Chinese OperaAnhui traditional opera Writers

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安庆师范大学 人文学院,安徽 安庆 246011

吕天成 祁彪佳 戏曲批评 皖籍曲家

2024

安庆师范大学学报(社会科学版)
安庆师范学院

安庆师范大学学报(社会科学版)

CHSSCD
影响因子:0.25
ISSN:1003-4730
年,卷(期):2024.43(6)