北方音乐2022,Issue(2) :99-112.DOI:10.3969/j.issn.1002-767X.2022.02.013

陈歌辛歌曲《春花秋月何时了?》性质辨

On the Character of Chen Gexin's When is the Spring Flower and Autumn Moon Over

李岩
北方音乐2022,Issue(2) :99-112.DOI:10.3969/j.issn.1002-767X.2022.02.013

陈歌辛歌曲《春花秋月何时了?》性质辨

On the Character of Chen Gexin's When is the Spring Flower and Autumn Moon Over

李岩1
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作者信息

  • 1. 哈尔滨音乐学院;中国艺术研究院音乐研究所;中国艺术研究院研究生院(北京 102218)
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摘要

自1936年陈歌辛发表歌曲《春花秋月何时了?》迄今,已有85周年.围绕此歌的性质,有人称其虽"前卫、出格",但与欧洲传统调性音乐有千丝万缕的联系.文章作者却认为它的"自由十二音"样态,与传统和声"貌合神离",其四度叠置、大量音块、半音化进行明显,且全音阶特征明确,亦有新创和弦——四和弦、第二和弦的组合应用,并对中国传统音乐核心调式"雅乐音阶下徵调·'角煞'"做了创新性的衔接.学界对此歌虽进行过分析,但未切肯綮,导致对其深层技术细节,至今茫然.文章对其进行仔细地辨析,以正视听.

Abstract

Chen Gexin published his art song When is the Spring Flower and Autumn Moon Over in 1936,now is 85 years.Regarding the character of this song,some people consider it avant-garde and extraordinary,but it links to the traditional European tonal music inextricably.The article points out that the free twelve-tone technique in the work based on traditional harmony formally but betrayed it essentially.In the work,superposition of four degrees and a mass of tone cluster are applied,both chromatic arrangements and diatonic scales are obvious,and the innovative chord,such as fourth-degree chord and second chord are combined used.And the composer also merged the Chinese traditional art music mode Xia Zhi Key of Elegant Music Scale with the western music.Although some scholars have analyzed this song,but was not pertinent enough,so as to solve the problem that the specific technical details are still vague,the article analyses the song in detail.

关键词

陈歌辛/歌曲《春花秋月何时了?》/性质/辨析

Key words

Chen Gexin,When is the Spring Flower and Autumn Moon Over,free twelve tone,appearance/character discrimination

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出版年

2022
北方音乐
黑龙江省音乐家协会

北方音乐

影响因子:0.137
ISSN:1002-767X
参考文献量27
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