The Second Climax of the Contemporary Chinese Pop Music——The Nationalization Progress of Chinese Pop Music from 1986 to 1992
The period 1986-1992 was of great historical significance in the development of popular music in China since the reform and opening up.It not only inherited the style of transitional period which lyrical songs as its majority since 1978 but also launched the"Pan-regional"style of urban folk music from 1993,which constituted the second climax of Chinese pop music in the context of re-form and opening up.Started with Cui Jian's With Nothing at All(1986)which as the representa-tive of the"Chinese Northwestern Style",the pop songs in this period involved some regional styles,such as"Northeastern style","Southeastern style",at meanwhile the ethnic music styles,i.e.Ti-betan,Mongolian,etc.In addition,the pop songs which borrowed the styles from the folk opera songs and melody of ancient poem became typical nationalism genre.The theoretical discussion about the causes,significance,gains and losses of the"Northwestern Style"occurrence,and its re-lationship with the ethic music provides a social values orientation and basic paradigms for the na-tionalization progress of Chinese pop music.
Chinapopular musicnationalizationChinese Northwestern styleChinese North-eastern StyleChinese Southeastern Stylefolk opera songs
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