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辽西走廊与辽宁唐墓音乐文化遗存之探究

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文章以丝绸之路、辽西走廊为视角,以辽宁朝阳纺织厂M2号唐墓及纤维厂唐代孙则墓出土的音乐文化遗存(乐俑)为研究对象,探索其乐俑的组合形式、乐器特征及其所反映的音乐文化交流与融合情况。文章认为,纺织厂M2号墓中的"抚琴俑"应为"卧箜篌俑",该墓的伎乐组合符合隋唐七、九、十部乐中"高丽乐"的特征;孙则墓仪仗骑马奏乐俑是东北地区此类音乐文化遗存的首次发现。作者认为,这些遗存属于丝绸之路、辽西走廊上唐代东北与中原文化交流系统中的文化。
An Exploration of the Cultural Remains of Music in the Western Corridor of Liaoning and the Tang Tombs of Liaoning
Took the musical cultural remains(musician figurines)excavated from the M2 Tang tomb and the tomb of Sun Ze of the Tang Dynasty which discovered in Textile Factory and in the Fi-ber Factory in Chaoyang,Liaoning Province respectively as research object,and viewed from the Silk Road and the Liaoxi Corridor,the article explores the combination forms of the musical figu-rines,the characteristics of the musical instruments.Furthermore,the author discoveries the musi-cal cultural exchange and integration situations reflected by them.The conclusions are that the"player figurine"in Tomb M2 should be the"Lying Khonghou figurine",cause the ensemble form of Chinese Gigaku coincides the characteristics of"Koryo music"in the Seven Bu Music,Eight Bu Mu-sic,Nine Bu Music(Bu means kinds)of the Sui and Tang dynasties;the horse-riding musician figu-rine in Sun Ze Tomb are the first discovery of musical culture in the Chinese northeast.At end,the author concludes that these remains belong to the cultural exchange system between Northeast China and Central China during the Tang Dynasty along the Silk Road and the Liaoxi Corridor.

Liaoning ChaoyangLiaoxi corridorTang tomb music figurinesmusic figurine assem-blagemusical remains

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哈尔滨音乐学院音乐学系(哈尔滨 150028)

沈阳音乐学院

辽宁朝阳 辽西走廊 唐墓乐俑 乐俑组合 音乐遗存

沈阳音乐学院2020年度院级课题青年项目

2020YLQ15

2023

北方音乐
黑龙江省音乐家协会

北方音乐

影响因子:0.137
ISSN:1002-767X
年,卷(期):2023.(1)
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