首页|拉赫玛尼诺夫音乐中的"钟声意象"——谨以此文纪念拉赫玛尼诺夫诞辰150周年

拉赫玛尼诺夫音乐中的"钟声意象"——谨以此文纪念拉赫玛尼诺夫诞辰150周年

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相比19世纪许多俄罗斯作曲家,谢尔盖·拉赫玛尼诺夫对钟声入乐的迷恋更为强烈,这源于作曲家幼年和少年时期作为"钟乐权威鉴赏家"的祖母的引领和对教堂钟声深刻的赏听体验以及对祖国深沉的爱恋。拉赫玛尼诺夫音乐中的"钟声意象"已经被俄罗斯学者广泛关注并认知。文章主旨不在于对其音乐中的"钟声意象"进行全面深入的技术分析,旨在以管窥豹,提示诠释者和研究者能在教学、演出实践和学术活动中关注拉赫玛尼诺夫音乐中显性或者隐匿在谱面下的这一重大的意象特征。
The Bell Imagination in Rachmaninoff's Music A Memorial for the 150th Anniversary of Rachmaninoff's Birth
The fascination of the bell sound in Sergei Rachmaninoff's music is much stronger than the other Russian composers in 19th century.This phenomenon not only influenced by his grand-mother who as an authoritative connoisseur of bell music during his childhood and adolescence,but also his profound listening experience of the church bells and the deep love of motherland.The Bell Imagination in Rachmaninoff's music has been widely noticed and recognized by Russian scholars.The main purpose of this article is not to provide a comprehensive technical analysis of the Bell Imagination in his music,but to suggest that performers and researchers to pay attention on this sig-nificant imaginative feature which either explicit or indirect in the score in their teaching,perfor-mance practice and research.

Sergei RachmaninoffmusicBell Imagination

孙兆润

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哈尔滨音乐学院(哈尔滨150028)

拉赫玛尼诺夫 音乐 "钟声意象"

2020年度中央支持地方高校改革发展资金人才培养项目

2020GSP18

2023

北方音乐
黑龙江省音乐家协会

北方音乐

影响因子:0.137
ISSN:1002-767X
年,卷(期):2023.(2)
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