摘要
文章以"音乐'音响-空间'的理论与实践研究"为研究对象,探索20世纪"空间转向"的历程、基本内涵以及在不同学科的体现.文章结合心理学、认知科学与"动能论"等理论的启发,从音高系统、节奏系统、织体系统等音乐初级听知觉角度讨论"音响-空间"的表征形式.
Abstract
Took the theoretical and practical study of music's Acoustic-Spatial as the research ob-ject,the article explores its spatial turn which happened in the 20th century,and to discover its his-tory,basic connotation,and its manifestation in different disciplines.Inspired by theories of psychol-ogy,cognitive science,and kinetic theory,the author discusses the representation of acoustic-spatial from the perspective of the primary auditory perception of music,such as pitch system,rhythm sys-tem,and texture system.
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