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布里顿三部教堂寓意剧的创作意识

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20世纪具影响力的英国作曲家爱德华·本杰明·布里顿于1964-1968年创作了三部较为特殊的教堂寓意剧《麻鹬河》《火窑剧》《浪子》。这三部曲最显著的共性就是对东方音乐元素的借鉴。这些作品的创作意识来自两个方面:一，受到远东之行东方音乐文化影响;二，来自布里顿内心深处"为民创乐"思想意识。
The Ideology and Musical Characteristics in Britten's Three Church Parables
The influential 20th-century British composer Edward Benjamin Britten composed three Church Parables specially,Curlew River,The Burning Fiery Furnace and The Prodigal Son from 1964 to 1968.One of the most notable musical commonalities of the three works is the borrowing and imitation of Eastern musical elements.The composer not relies entirely on Eastern musical ele-ments and compositional techniques in the three works,but rather surveys Eastern culture by the standards of Westerners and their traditional Western culture,and at last become pastiches by inter-mingling Eastern culture with Western culture.

Edward Benjamin Britten 1913-1976Church ParablesCurlew RiverThe Burning Fiery FurnaceThe Prodigal SonEastern musical elementsculture East meets West

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安徽师范大学音乐学院(安徽芜湖 241000)

爱德华·本杰明·布里顿(Edward Benjamin Britten 1913-1976) 教堂寓意剧 《麻鹬河》(Cur-lew River 1964) 《火窑剧》(The Burning Fiery Furnace 1966) 《浪子》(The Prodigal Son 1968) 东方音乐元素

教育部人文社会科学研究青年基金(2019)安徽省高等学校省级质量工程项目(2022)

19YJC7600882022jyxm528

2023

北方音乐
黑龙江省音乐家协会

北方音乐

影响因子：0.137
ISSN：1002-767X
年,卷(期)：2023.(4)
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