以"数字"取代"肉身"的舞蹈——《舞蹈怪兽》中的全息舞蹈分析
Physical Bodies Replaced by Digital in Dance:an Analysis of Holographic Dance in Dance Monsters
马辰媛1
作者信息
- 1. 中央民族大学舞蹈学院,北京 100081
- 折叠
摘要
科技时代,新的舞蹈形态开始诞生.2022年美国奈飞公司播出舞蹈类综艺节 目《舞蹈怪兽》.它通过动作捕捉、图像处理、全息投影技术,将舞者的身体数字化,并异化为"怪兽"的形象,再实时投射在舞台上.文章提出"全息舞蹈"的概念,对《舞蹈怪兽》中的全息舞蹈进行身体、运动、表情方面的属性分析.全息舞蹈以数字身体和全息身体,取代了舞蹈的肉身,但它仍具备舞蹈的运动特性和艺术情感.通过科技,舞者获得了超自然的形态和自由表达的空间,但难以打破审美过程中的"太阳马戏团效应".
Abstract
Dance Monsters is a dance competition show produced by Netflix in 2022.It digitalizes dancers'real bodies and transforms them into virtual dynamic holograms of dancing monsters through motion capture,image processing,and holographic projection.In the age of science and technology,new forms of dance emerge.This paper proposes the concept of"holographic dance"and analyzes its attributes in Dance Monsters in terms of body,movement,and expression.Although the physical body is replaced by a digital and holographic body,the holographic dance still possesses the dynamic characteristics and artistic emotions of dance.Dancers acquire supernatural forms and space for free expression with the help of technology,however,it is difficult to break the"effect of Cirque du Soleil"in the aesthetic process.
关键词
数字舞蹈/全息舞蹈/舞蹈交互/《舞蹈怪兽》/动作捕捉Key words
digital dance/holographic dance/interactive dance/Dance Monsters/motion capture引用本文复制引用
出版年
2024
NETL
NSTL
万方数据