汉代百戏表演人员研究
Acrobatic Performers in the Han Dynasty
陈树淑1
作者信息
- 1. 青岛大学马克思主义学院,青岛 266071
- 折叠
摘要
汉代百戏繁荣,与舞蹈关系密切,常常同台演出.汉代社会上形成了专门的百戏表演群体,其人员来源广泛,可细分为六类,既有社会下层百姓、奴婢、方士、达官贵人及小吏,也有周边的少数民族以及域外之人.汉代百戏人员有三种学习途径,分别为自学、家学和经专业人员训练.第一种主要是百戏爱好者,以百戏 自娱或娱人.后两种途径学成后主要是在公开场合表演.百戏的表演形式也主要有三种,即宴乐百戏、广场百戏和走街串巷的流动演出.百戏是汉代娱乐生活的重要组成部分,百戏表演人员的大量出现促进了百戏艺术的丰富和成熟,对汉代舞蹈发展也有重要影响,加快了娱乐文化的传播,推动了社会风气的开放.
Abstract
During the Han Dynasty,acrobatics flourished and was closely related to dance,often performed on the same stage.In the Han Dynasty,a specialized group of acrobatic performers formed,with a wide range of personnel,which can be subdivided into six categories:lower-class people,servants,alchemists,dignitaries,and officials,as well as neighboring ethnic minorities and foreign performers.There were three modes of acrobatic training in the Han Dynasty:self-study,home-study,and professional training.The first kind of training was mainly for acrobatic amateurs to entertain themselves or others.Another two were mainly cultivate artists for public performances.There were three main forms of performances:played at court feasts,played in the open square,and walking through streets and lanes to play.Acrobatics was an indispensable part of the entertainment life in the Han Dynasty,and the emergence of many performers promoted the richness and maturity of the acrobatic art,which also had an important influence on the development of dance in the Han Dynasty,accelerated the spread of the entertainment culture and cultivated an open social atmosphere.
关键词
汉代/百戏表演人员/来源/培养模式/表演形式/社会影响Key words
the Han Dynasty/acrobatic performers/source/training mode/performance form/social influence引用本文复制引用
出版年
2024
NETL
NSTL
万方数据