Abstractness of Stage Formal Language of Chinese Ethnic and Folk Dance
As the main means of artistic expression,form is an important channel to constitute the uniqueness of dance language.Generally speaking,Chinese ethnic and folk dance often takes the dance language of the immediate style system as the starting point of formal expression,and the dance language of the immediate style system as the main means of lyrical dance language expression,can objectively represent the ethnic aesthetic characteristics through extracting materials and purifying styles.Taking Chinese ethnic and folk dance as the research object,this paper analyzes the formal language in the current stage forms,whose generation breaks through the traditional"simulation and representation",and moves toward the"abstract expression"based on element reconstruction.The aesthetic taste of stage formal language of Chinese ethnic and folk dance also moves from the traditional"simulation and representation"to the modern aesthetic construction of"abstract expression".In terms of transformation,the creation is based on the initiative of choreographers and the freedom of artistic creation,with"inner spirit"as the creation direction and driving force,and abstract dance formal language as the entity of"inner spirit"expression.
Chinese ethnic and folk danceformal languageabstractness
NETL
NSTL
万方数据
