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试论诗、诗性思维与舞蹈的"诗性修辞"

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诗是一种修辞化的表意文体.舞蹈与诗有类似的表意方式和艺术诉求,它们都以意象的有机组合构成意境来抒发情感或表达情操."诗性"作为介质,它将联通舞蹈与诗的线索导向了人类普遍拥有并奠定中国文化基调的"诗性思维",一种经由想象、隐喻等认知范式共同构成的创造性思维,它保留了原始人认识和把握世界时"以己度物""万物有生""万物同情""主客一体"等思维方式,具有感性、审美性、形象性、体验性等原始思维特征,并在诗的语言表意规约与赋形下,被归结为一系列修辞思维."诗性修辞"借助人们的集体无意识或先在经验,满足舞蹈叙事表意等方面的需求,帮助我们填补舞蹈美学方面的修辞空白,成为舞蹈编创与审美接受之间一个具有科学理据又无需语言赘述的视觉导航,指引我们通往一个亟待探索的舞蹈美学新世界.
On Poetry,Poetic Thinking and"Poetic Rhetoric"of Dance
Poetry is a rhetorical form to express ideas.Dance and poetry share similar ways of conveying meanings and artistic pursuits,both of which use imagery combinations to constitute artistic conceptions to express emotions or sentiments,the"poetic nature",as a medium connects dance and poetry to the"poetic thinking",a widely possessed human trait that lays the foundation for Chinese culture.Poetic thinking is a creative mindset formed by cognitive paradigms such as imagination and metaphor.It retains the views of primitive people in understanding and grasping the world,such as"projecting oneself onto others","all things have life","all things have a common feeling"and"the unity of subject and object".It possesses characteristics of primitive thinking such as sensibility,aesthetics,imagery,and experience.It is also classified as a series of rhetorical thinking under linguistic and ideographic conventions and forms of poetry.The"poetic rhetoric"uses collective unconsciousness or prior experience to meet the needs of dance narrative and ideographic expression,helping us fill the rhetorical gaps in dance aesthetics.It becomes a visual dialogue between dance creation and aesthetic acceptance with scientific justification yet no need for language redundancy,guiding us to a new world of dance aesthetics that needs to be explored.

poetry"poetic nature"of dancepoetic thinkingpoetic rhetoric

沈佳楠

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南京艺术学院舞蹈学院,南京 210013

舞蹈的诗性 诗性思维 诗性修辞

2024

北京舞蹈学院学报
北京舞蹈学院

北京舞蹈学院学报

CSSCI北大核心
影响因子:0.294
ISSN:1008-2018
年,卷(期):2024.168(2)
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