"姿势"固着:现代主体的自我确证——马修·伯恩《天鹅湖》新解
Fixation of "Posture":The "Jouissance" of Modern Subject:a Psychoanalytic Interpretation on Matthew Bourne's Swan Lake
闫桢桢1
作者信息
- 1. 北京舞蹈学院人文学院,北京 100081
- 折叠
摘要
马修·伯恩的男版《天鹅湖》作为享誉世界的现代舞文本,存在独特的批评"盲点".文章尝试以精神分析的理论思路对这些"盲点"进行"重读",凸显这一经典舞蹈文本所蕴含的理论阐释潜力.从剧中的人物设置,到具体的动作组织形式,马修·伯恩版《天鹅湖》呈现出一个与经典《天鹅湖》文本截然不同的精神世界,并为进一步反思"主体"在特定历史时期的精神结构及其遭遇提供了鲜活的艺术形象.
Abstract
As a world-renowned work of modern dance,there are unique critical"blind spots"in Matthew Bourne's male version of Swan Lake.The paper takes psychoanalysis to"re-read"these"blind spots"and highlights the potential of theoretical interpretations contained in this dance classic.Based on the characters and the specific form of movements in Swan Lake,Bourne presents a complex spiritual world that is completely different from the classic ballet version.Furthermore,Matthew Bourne's Swan Lake provides vivid artistic images that can be considered an example of the spiritual structure of the"subject"in specific historical periods.
关键词
马修·伯恩/《天鹅湖》/精神分析/主体Key words
Matthew Bourne/Swan Lake/psychoanalysis/subject引用本文复制引用
出版年
2024
NETL
NSTL
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