Interality Logic and Practice Pathways of Image-Dance Transmedia Transformation
The creation of Chinese classical dance is often based on historical anecdotes,classical aesthetics,and the cultural pursuits of the times.As an important tool for historical evidence,images not only provide concrete artistic representations of dance works,but also offer aesthetic inspirations for contemporary choreographers.This reliance on images for secondary creation leads to the phenomenon of transmedia transformation in dance.Such secondary creation opens up innovative pathways for the heterogeneous media transformation from single-media images to multi-media dance,adhering to multiple interality logic:the intersubjectivity of"transmitter-receiver",the intersemiotics of"sign-object",and the interculturality of"tradition-modernity".Based on this,the image-dance transmedia transformation is manifested by four creation approaches:first,enhancing the differentiation degree of referential signs from the three dimensions of image,text,and connotation,to maintain the integration of the interality space and improve the efficiency and quality of image-dance conversion;second,constructing sign complex hrough image-dance intertextuality;third,enriching the aesthetic of narrative plots by utilizing subject differences;fourth,achieving low-loss transformation of image-dance motifs through aesthetic commonality and creating an organic body of the spirit of the times,thereby achieving high-quality artistic innovation.
万方数据
维普
