"Affinity to the People"of Chinese Stage Folk Dance in the Mid-20th Century
As one of the important aesthetic paradigms of modern Chinese dance art,Chinese stage folk dance is based on body movements derived from traditional folk activities of various ethnic groups.It was gradually constructed by dance practitioners in the mid-20th century under the guidance of the literature and art policy of the Communist Party of China,creating a phenomenon where traditional forms,stage forms,and teaching forms coexisted.As an important category of Marxist literature and art theory,the"affinity to the people"is closely related to Chinese stage folk dance.This paper aims to delve into the initial period of Chinese stage folk dance in the mid-20th century,analyzing the connotation of"affinity to the people"in Chinese stage folk dance from the four dimensions of cultural stance,thematic expression,creation method,and formal characteristics.
"affinity to the people"stage folk dancetraditional folk dance
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