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莫高窟第154窟"火宅喻"舞蹈图像新论

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"火宅喻"舞蹈图像始于莫高窟第154窟,舞者是一胡服装男子,有扬袖、屈腿、出胯等舞蹈动作,舞蹈风格独特.文章通过对图像的分析,发现舞者的舞蹈形态蕴含着较强的粟特艺术元素,但不能笼统地将其称为"胡腾舞"或"胡旋舞".文章通过对此类舞蹈图像的样态分析,反思过去将其误判为吐蕃舞的观点,并阐释此类舞蹈的文化属性及当时敦煌民众对乐舞形式的选择,从而在此基础上分析吐蕃统治敦煌时期石窟营建的复杂历史背景.
Dance Images of"Fire Mansion Metaphor"in Cave 154 of Mogao Grottoes
The dance image of the"fire mansion metaphor"originated from Cave 154 of the Mogao Grottoes,featuring a male dancer in Hu costume performing movements such as raising sleeves,bending legs,and stepping out,reflecting a distinct dance style.Through image analysis,the paper reveals that the dancer's movements embody strong Sogdian artistic elements,yet it is insufficient to categorize it simply as"Hu Teng dance"or"Hu Xuan dance".Thus,the"Fire House"dance and similar dances largely reflect the history of dance performances in the Dunhuang region during the Mid-Tang Dynasty.By analyzing the visual forms of such dance images,this paper can understand the cultural attributes of dance and the choices of Dunhuang people for music and dance forms,in order to grasp the complex historical background of grotto construction during the Tubo rule in Dunhuang.

154th Cave of Mogao Grottoes"fire mansion metaphor"dance imagesTuboSogdian

朱希帆

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陕西师范大学历史文化学院,西安 710119

莫高窟第154窟 "火宅喻" 舞蹈图像 吐蕃 粟特

2024

北京舞蹈学院学报
北京舞蹈学院

北京舞蹈学院学报

CSSCI北大核心
影响因子:0.294
ISSN:1008-2018
年,卷(期):2024.(4)