首页|唐代迦陵频伽舞流播考论

唐代迦陵频伽舞流播考论

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迦陵频伽舞经由丝绸之路进入我国西北边地,再入中原地区,又从海路由西至东传向日本,并于8世纪末开始在两国间盛行.迦陵频伽舞传入日本后便进入了其雅乐系统之中,但进入中国后的它却未能与宫廷燕乐体系完美交融,只能作为一种佛教乐舞保存于民间佛教活动之中.此时,在皇宫中风靡的是著名的霓裳羽衣舞.此舞在舞服、舞容、舞乐等方面与迦陵频伽舞有相似之处,因而曾被认为是迦陵频伽舞的"中国版",但细究起来并非如此.迦陵频伽舞者身负鸟翼以仿神鸟之状,霓裳羽衣舞者身着羽衣以扮仙人之态.霓裳羽衣舞的动作相较于迦陵频伽舞及为轻盈而复杂,所用乐曲也融合了中西元素.因此,不可直接认定霓裳羽衣舞就是由迦陵频伽舞改编而来.迦陵频伽舞在流播中相对稳定,而大唐的霓裳羽衣舞在五代十国末期便已失传.
Dissemination of Kalavinka Dance in the Tang Dynasty
The Kalavinka dance entered China's northwest frontier via the Silk Road,then spread into the Central Plains,and later traveled by sea to Japan,where it began to flourish in both regions by the late 8th century.After its introduction to Japan,it became part of the Gagaku system.However,upon its arrival in China,it failed to integrate seamlessly with the court banquet music system and was instead preserved as Buddhist music and dance in folk religious activities.During this time,the renowned Ni Chang Yu Yi dance thrived in the imperial court,which shares similarities in costumes,appearance,and music with the Kalavinka dance,leading some to regard it as the"Chinese version"of the Kalavinka dance.However,a closer examination reveals this is not accurate.The Kalavinka dancers carry bird wings to imitate divine birds,while Ni Chang Yu Yi dancers wear feathered garments to portray immortals.The movements of Ni Chang Yu Yi dance are slightly lighter and more complex compared to the Kalavinka dance,and its music incorporates both Chinese and Western elements.Therefore,it cannot be concluded that the Ni Chang Yu Yi dance was adapted from the Kalavinka dance.The Kalavinka dance remaines relatively stable in its dissemination,whereas Ni Chang Yu Yi dance of the Tang Dynasty was lost by the end of the Five Dynasties and Ten Kingdoms period.

Kalavinka danceNi Chang Yu Yi dancetransmissioncomparison

许柳泓

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南开大学文学院,天津 300071

迦陵频伽舞 霓裳羽衣舞 流播 比较

2024

北京舞蹈学院学报
北京舞蹈学院

北京舞蹈学院学报

CSSCI北大核心
影响因子:0.294
ISSN:1008-2018
年,卷(期):2024.171(5)