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泼寒胡戏起源及发展考述

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唐代盛行的歌舞戏类型泼寒胡戏脱胎于公元6世纪西域地区出现的民俗性叙事扮演歌舞活动"苏莫遮"."苏莫遮"呈现复合型的表演形态,吸收融合了多民族宗教文化元素和艺术形式,但节目本体的生成地是西域.自西域传入汉地后,"苏莫遮"在唐朝武则天末年经过宫廷制度化改造定名,转化成名为"泼寒胡戏"的纯粹观赏性歌舞戏,进而引领民间演出的热潮.在保留基本的胡乐假面歌舞形态外,泼寒胡戏的角色扮演、演出伎艺、叙事主题、思想底蕴等方面与西域"苏莫遮"差异很大,其盛衰兴废也不影响西域"苏莫遮"的发展."苏莫遮"和泼寒胡戏不仅是胡汉异名的关系,更代表着西域与中原两种并行的同源异流的表演艺术.
Origin and Development of the Po Han Hu Xi
The Po Han Hu Xi,a popular genre of song and dance drama flourishing during the Tang Dynasty,originated from the folk narrative performance known as"Su Mu Zhe",which emerged in the Western Regions in the sixth century."Su Mu Zhe"featured a composite style,integrating diverse ethnic and religious cultural elements and artistic forms,rooted in the Western Regions.After its introduction to the Han territories,"Su Mu Zhe"underwent institutional reform during the late Tang Dynasty under the reign of Empress Wu Zetian,evolving into Po Han Hu Xi—a purely entertaining song and dance drama which sparked a surge in folk performances.While retaining the basic elements of Hu music and masked song and dance,Po Han Hu Xi diverged significantly from"Su Mu Zhe"in aspects such as character portrayal,performance skills,narrative themes,and ideological depth.The rise and fall of Po Han Hu Xi did not hinder the development of"Su Mu Zhe".Both"Su Mu Zhe"and Po Han Hu Xi represent different names for the same genre and highlight two streams of performing arts with shared origins,showcasing the cultural interplay between the Western Regions and the Central Plains.

Po Han Hu Xi"Su Mu Zhe"song and dance drama

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西北大学文学院,西安 710127

泼寒胡戏 "苏莫遮" 歌舞戏

2024

北京舞蹈学院学报
北京舞蹈学院

北京舞蹈学院学报

CSSCI北大核心
影响因子:0.294
ISSN:1008-2018
年,卷(期):2024.171(5)