首页|从《老雁》《阳光下的麦盖提》看传统民间舞蹈的舞台创作转化

从《老雁》《阳光下的麦盖提》看传统民间舞蹈的舞台创作转化

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文章以舞蹈作品《老雁》《阳光下的麦盖提》为案例,以民间传统舞蹈资源的舞台创作转化过程作为分析视点,从创作理论层面剖析中华民族传统文化资源在舞台创作转化中的实现机制与路径,在当代舞台审美观照下展开对传统民间形式语言的多维思考.旨在有效利用科学量化的方法论工具,串联理论知识与应用实践两个层面,提取舞蹈创作相关的核心影响因素,分析阐述传统民族文化资源在当代的创造性转化过程,剖析创作链条、创作网络、资源创作循环的转换运行模式,进而总结民族民间舞蹈的舞台创作转化过程.
Stage Creation Transformation of Traditional Folk Dance from The Old Wild Goose and Makit under the Sun
This paper uses the stage performances The Old Wild Goose and Makit under the Sun as case studies,and focuses on the transformation process of traditional folk dance resources into stage performances.Based on the theoretical perspective of creation,it explores the mechanisms and pathways through which traditional Chinese cultural resources are transformed into stage performances and delves into the multidimensional creation transformation of traditional folk dance language from the perspective of contemporary stage aesthetics.The paper uses scientific and quantitative methodological tools to link theoretical knowledge with practice,and identifies core influencing factors in dance creations.It also analyzes the innovative transformation process of traditional ethnic resources in contemporary contexts,examining the creation chain,networks,and cyclical transformation of resources.It aims to offer a comprehensive summary of the transformation process of traditional folk dances into stage performances.

stage folk dancecreative analysisdance aestheticsscientific quantification

吕敬秋

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上海戏剧学院舞蹈学院,上海 200050

民间舞蹈 舞台创作转化

2024

北京舞蹈学院学报
北京舞蹈学院

北京舞蹈学院学报

CSSCI北大核心
影响因子:0.294
ISSN:1008-2018
年,卷(期):2024.171(5)