This paper uses the stage performances The Old Wild Goose and Makit under the Sun as case studies,and focuses on the transformation process of traditional folk dance resources into stage performances.Based on the theoretical perspective of creation,it explores the mechanisms and pathways through which traditional Chinese cultural resources are transformed into stage performances and delves into the multidimensional creation transformation of traditional folk dance language from the perspective of contemporary stage aesthetics.The paper uses scientific and quantitative methodological tools to link theoretical knowledge with practice,and identifies core influencing factors in dance creations.It also analyzes the innovative transformation process of traditional ethnic resources in contemporary contexts,examining the creation chain,networks,and cyclical transformation of resources.It aims to offer a comprehensive summary of the transformation process of traditional folk dances into stage performances.
关键词
民间舞蹈/舞台创作转化
Key words
stage folk dance/creative analysis/dance aesthetics/scientific quantification
维普
万方数据