Continuous Presence and Consciousness Reproduction of the Painting of Entertainment of Xuanzong of Ming Dynasty—A Study on the Time Philosophy of How the Motor Skills Represent the Painting
Perception is to objectify the subjective conscious energy into motor skills,and use the movement track of motor skills as the objectified image to depict the overall appearance of the"paint-ing of entertainment".It is also the generation of this integral"painting of entertainment"that reveals the premise of consciousness subject's meaning for motor skills is the continuous presence of percep-tion.Instant imbuing is undoubtedly the present presence of image consciousness.Its content can be all the movements of chuiwan(strike pellet)or the conscious process of each movement,and each process belongs to the intuition externalized by consciousness.The intuitive material is the image space to be enriched by the movement intention.Thus,the essence of the construction activity of the"painting of entertainment"is the consciousness reproduction process of the entertainers filling the image space with their motion intention."transition"is the past,and the past is the representation of the objects of the departed time;"procedure"is the image,is the conception form of representation collection.Therefore,the temporality of"transition"and the picturesqueness of"procedure"form the conceptual boundary of the"painting of entertainment"in the consciousness variation of the time ob-ject itself.
Painting of Entertainment of Xuanzong of Ming Dynastycontinuous presenceconsciousness reproductionmotor skillstime philosophy
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