基于斯基泰卧鹿纹样的首饰设计应用
Application of Scythian Crouching Deer Pattern in Jewelry Design
田姝裕 1李举子2
作者信息
- 1. 中国地质大学(武汉)珠宝学院,湖北武汉 430074
- 2. 中国地质大学(武汉)珠宝学院,湖北武汉 430074;湖北省人文社科研究基地"珠宝首饰传承与创新发展研究中心",湖北武汉 430074
- 折叠
摘要
斯基泰是欧亚草原铁器时期的游牧民族代表,其卧鹿纹不仅能够反映草原的历史文化与宗教信仰,独树一帜的程式化表现手法也使其成为了草原动物图腾的艺术形象代表.笔者通过对相关文献的考证,分别从艺术与宗教的角度角度论述了卧鹿纹的重要意义,并以当代形式美的法则为参考,总结了斯基泰卧鹿纹的美学特征主要在构图上的比例与尺度美、视觉上的对称与均衡美、细节上的节奏与韵律美.通过现代设计案例分析,梳理出保留元素特征、借鉴传统工艺、填充辅助元素的设计方法.最后在设计实践部分,运用图案的解构与重构方式将其与本土祥云纹相融合,设计出包含两种文化元素的新首饰,同时也为后来的设计工作者打开文化融合设计的新思路.
Abstract
Scythian is the representative of the nomadic people in the Iron Age of the Eurasian steppe,its crouching deer pattern not only integrates the history,culture and religious be-liefs of the steppe,the unique stylized expression also makes it one of the representative artis-tic images of the steppe animal totems.Through the research of relevant literature,the au-thor discusses the important significance of the crouching deer pattern from the perspectives of art and religion,respectively.Taking the rules of contemporary formal beauty as a refer-ence,the aesthetic features of the Scythian crouching deer pattern are summarized,which are mainly the beauty of proportion and scale in composition,the beauty of visual symmetry and balance,and the beauty of rhythm in details.Through the analysis of modern design ca-ses,the design methods of retaining element characteristics,borrowing traditional crafts-manship and filling in auxiliary elements are sorted out.Finally,in the design practice,the pattern is integrated with Chinese traditional cloud pattern by deconstruction and reconstruc-tion to design a new jewelry that contains the two cultural elements,which opens up a new way of thinking of cultural integration design for future designers.
关键词
斯基泰/欧亚草原/鹿形纹样/首饰设计/考古学/文化融合Key words
Scythian/Eurasian steppe/crouching deer pattern/jewelry design/archaeology/cultural integration引用本文复制引用
基金项目
中国地质大学(武汉)珠宝学院-湖北省高等学校人文社会科学重点研究基地"珠宝首饰传承与创新发展研究中心"项目(CJHIXM-04-S202104)
出版年
2024
NETL
NSTL
万方数据