"艺术"概念狭义化、理念化的理论反思
Theoretical Reflection on the Narrow and idealized Thought of the Concept of Art
陈淼霞 1程金城2
作者信息
- 1. 西北民族大学中国语言文学学部,甘肃兰州 730000
- 2. 兰州大学文学院,甘肃兰州 730000
- 折叠
摘要
古今中外的艺术史都证明,艺术本来是人类参与度最高、形式最为多样的创造美的精神实践活动,艺术的概念是广义性的.但是,西方艺术理论有将艺术狭义化、理念化的倾向.其原因可以追溯到柏拉图理念说和模仿论对西方艺术理论的深远影响,以及黑格尔"艺术即绝对理念的表现"的理论导向.20世纪以来部分西方艺术理论家对此有所反省,但未根本改变长期形成的认知;现代主义艺术和法兰克福学派批判理论对艺术有新的理解,但在客观上又强化了这种倾向而形成悖论.近现代以来随着西方文艺理论的西风东渐,这种狭义化、理念化的艺术思想影响了中国的艺术理论与学科发展,对此有必要进行反思.
Abstract
The history of art at home and abroad has proved that art is originally a spiritual practice of creating beauty with the highest participation of human beings and in the most diverse forms.The concept of art is generalized.However,there is a tendency that western art theory has narrowed and idealized the art.And the reason for this can be traced back to the far-reaching influence of Platonic theory and imitation theory on western art theory,as well as Hegel's theoretical orientation,that is"art is the expression of absolute idea".Since the 20th century,although some western art theorists have reflected on this,they still have not radically changed the long-established perceptions.Modern art and Frankfurt School Critical Theory show a new understanding of art,which strengthens the tendency objectively and then form a paradox.With the development of western literary theory from the west to the east,this narrow and idealized art thought has influenced the development of Chinese art theory and discipline,hence,it is necessary to reflect.
关键词
艺术理论/艺术实践/艺术哲学/现代主义艺术Key words
Art Theory/Art Practice/Philosophy of Art/Modernist Art引用本文复制引用
出版年
2025
NETL
NSTL
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