首页|回归感性:气氛美学视域下的媒介研究新议程

回归感性:气氛美学视域下的媒介研究新议程

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作为新美学流派的"气氛美学",提出"回归感性"的诉求,与新闻传播领域的"情感转向"趋势不谋而合.对美学传统的复归,彰显了人类作为感性主体的重要面向.对理性实证的信息传播观念的反拨,则展现了媒介叙事的人文主义价值.这些变革显示了一度被遮蔽的感性及情感的积极潜能.在气氛美学的基本特质和观念中,可以分辨出身体感性、空间性、情感性与蕴藉性等若干关键维度,这为媒介研究开辟了新的论域.从空间性与身体性的维度看,气氛美学与媒介研究旨趣相近,都强调身体在场在情感互动中的重要作用.从审美角度看,彰显情感性与蕴藉性的媒介叙事能够生成诗性的意义空间,在媒介环境中塑造具有"气氛"意蕴的场域,促进了情感驱动的"叙事共同体"的建构.在"气氛"这一范畴的笼罩之下,从整体性视野观照新技术塑造的媒介生态,有助于催生新的媒介生产理念和实践模式,校正媒介与传播的发展路径,促进媒介环境中人类主体性的建构.在媒介空间与现实空间的交叠互渗中,人类获得了全新的感性体验,为气氛的生成提供了多样化的技术情境.这拓展了气氛美学的阐释场景,为气氛美学研究增添了重要的媒介维度,体现了当下深度媒介化时代的总体特征.
Returning to sensibility:A new agenda for media research from a perspective of aesthetics of atmosphere
As a new aesthetic school,"aesthetics of atmosphere"puts forward the appeal of"returning to sensibility",which coincides with the trend of"affective turn"in the field of news and communication.The restoration of aesthetic tra-ditions highlights the importance of human beings as emotional subjects,and the reversal of the tradition of rational and empirical information dissemination highlights the humanistic value of media narrative.These changes demonstrate the positive potential of emotions that were once overshadowed.In the basic characteristics and concepts of the aesthetics of atmosphere,several key dimensions can be distinguished,such as sensibility,spatiality,emotion,and implication,pro-viding a new perspective for media research.From the perspective of space and body,aesthetics of atmosphere and media research are similar,and both emphasize the important role of body presence in emotional interaction.From the aesthetic point of view,the emotional narration of the media has the meaning and function of"atmosphere",and has important value in constructing the"narrative community"driven by emotion.From the perspective of the"atmosphere"category,exploring the media ecology shaped by new technologies from a holistic perspective helps to generate new media produc-tion concepts and practical models,correct the development path of media and communication,and promote the construc-tion of human subjectivity in the media environment.In the overlap and infiltration of media space and real space,hu-mans have gained a new emotional experience,providing diverse technological contexts for the generation of atmosphere.This expands the interpretation scenarios of atmosphere aesthetics,adds important media dimensions to the study of at-mosphere of aesthetics,and reflects the overall characteristics of the current era of deep mediatization.

aesthetics of atmosphereaffective turnmedia narrativesensibilityphysical presence

王强、王子怡

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闽南师范大学新闻传播学院,福建漳州 363000

闽南师范大学两岸传播研究中心,福建漳州 363000

气氛美学 情感转向 媒介叙事 感性 身体在场

国家社科基金项目

18XXW003

2024

重庆邮电大学学报(社会科学版)
重庆邮电大学

重庆邮电大学学报(社会科学版)

CHSSCD
影响因子:0.719
ISSN:1673-8268
年,卷(期):2024.36(2)
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