Cross cultural interpretation of artistic conception aesthetics and atmosphere aesthetics
In the context of globalization,as a unique form of Chinese aesthetics,the aesthetic of artistic conception has much in common with the atmosphere aesthetics that emerged in the West in recent years.In the subject-object relation-ship,both aesthetic of artistic conception and atmosphere aesthetics have broken the traditional aesthetic way of thinking of subject-object dichotomy,and are committed to the construction of intersubjective relationship between aesthetic subject and object through the"mind-object"mode and"body-object"mode respectively.However,aesthetic of artistic conception integrates and applies comprehensive aesthetic psychological functions,and lays particular emphasis on spirit-ual experiences in aesthetic activities,elevating and transcending the"natural objects"based on perception theory in at-mosphere aesthetics.Therefore,as the basic unit of aesthetic of artistic conception,image can be regarded as the meta-physical dimension of atmosphere objects.Due to the above connections,on the one hand,synesthesia is one of the im-portant aesthetic physiological and psychological foundations of both aesthetics,and on the other hand,as aesthetic cate-gories,"artistic conception"and"atmosphere"are in a state of continuous generation.Therefore,the aesthetic experi-ence obtained by the aesthetic subject is a diachronic emotional experience,which is a kind of"continuous"beauty.At the same time,both aesthetic of artistic conception and atmosphere aesthetics are aesthetic in space,and they both focus on the"virtual and real space"created by artistic conception and atmosphere.Moreover,in terms of scene creation and emotional atmosphere creation,aesthetic of artistic conception and atmosphere aesthetics can be implemented as a com-mon aesthetic creation scheme.Based on the above facts,extensive and in-depth dialogue between aesthetic of artistic conception and atmosphere aesthetics can not only provide cases for innovative integration of Chinese and Western aes-thetics in communication and mutual learning,but also activate the contemporary value of Chinese classical aesthetics to a certain extent.