Conceptual evolution,identity shaping,and spatial aesthetics:Geocultural interpretation of Tibetan films
In recent years,diverse viewpoints on the concept of Tibetan film have led to a proliferation of names,incon-sistencies in scope,and semantic overlaps.To address this,an exploration based on geocultural theory is conducted to establish a universal definition,refining and unifying the designation of Tibetan film.Tibetan film,in the geocultural sense,is characterized by its depiction of geographical landscapes and cultural life,fully reflecting the social history,production,lifestyle,and spiritual ethos of the Tibetan people.This interplay between geographic landscapes and cultural life forms the fundamental framework of Tibetan film.A geocultural perspective transcends traditional boundaries,treating Tibetan film as an expansive cultural and artistic field.Additionally,from a geocultural standpoint,Tibetan film embodies a unique spatial aesthetic that interweaves material,cultural,and spiritual spaces,serving as the narrative backdrop,motive,and theme,and supporting the narrative structure.Tibetan film is not simply a subcategory of ethnic or Western film;it is an independent genre with rich cultural content and profound artistic value.Geocultural research provides a new perspective for comprehending the essence and value of Tibetan film,promoting global recognition and ap-preciation of Tibetan culture.
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