20世纪上半叶"中国艺术"研究在德国的"世界性"——以1912-1943年《东亚杂志》为中心的观察
The"Cosmopolitanism"in the Studies of"Chinese Art"in Germany in the First Half of the Twentieth Century—Focusing on the Academic Journal Ostasiatische Zeitschrift from 1912-1943
赵娟1
作者信息
- 1. 北京体育大学人文学院;复旦大学;中央美术学院
- 折叠
摘要
19世纪下半叶到20世纪上半叶中国艺术品大规模外流,围绕着收藏、展览和研究,中国艺术知识也随之不断迁移到西方知识体系之中,并带动着新的知识生产和传播.此一进程中,在艺术收藏和展示的博物馆空间之外,专业期刊成为知识生产和传播最重要的阵地.论及中国艺术研究,德国柏林的《东亚杂志》尤为重要,它是欧美最早专门致力于东亚艺术研究的学术杂志,从诞生之初便汇聚着来自不同文化、国别和学科背景的学者,连接着不同社会机构和组织,在20世纪上半叶欧洲中国艺术研究中发挥着重要作用.本文聚焦1912-1943年《东亚杂志》创办的历史语境、发行出版、组织形态和学术视野,试图揭示20世纪上半叶以德国为引领的欧洲中国艺术研究在学术化和制度化过程中的"世界性"特征,进而指出现代学术意义上的中国艺术及其研究在形成之际便置身于"世界艺术史"概念的整体视域之中,这或许能为今天在"全球艺术史"或者"世界艺术史"中思考中国艺术提供另外一个起点.
Abstract
From the second half of the 19th century to the 1930s,a large number of Chinese artworks were brought to the West.Basing on the collecting,exhibiting and researching,the knowledge of Chinese art was then continuously transferred into the Western knowledge system that led to the reproduction and dissemination of the knowledge about Chinese art,in addition to museums that collected and displayed art,academic journals played an important role.With regard to the study of Chinese art,the Ostasiatische Zeitschrift in Berlin particularly merited attention:it was the first academic journal in the West to be devoted to the study of East Asian art,and from the very beginning of its emergence,it absorbed scholars from different cultures,countries,and disciplinary backgrounds,and connected different social institutions and organizations.Focusing on the historical context,distribution,organization and academic vision of Ostasiatische Zeitschrift from 1912 to 1943,this article attempts to reveal the'Cosmopolitanism'characteristics of the academic and institutionalized process of the study of Chinese art led by Germany in the first half of the twentieth century,and argues that the beginning of Chinese art research in the modern academic sense has been situated in the overall perspective of the concept of"world art history",which may provide another premise for discus Chinese art in today's global art history or world art history.
关键词
《东亚杂志》/中国艺术/全球艺术史/"世界性"/制度化Key words
Ostasiatische Zeitschrift/Chinese art/global art history/cosmopolitanism/institutionization引用本文复制引用
出版年
2024
NETL
NSTL
万方数据