On the Realistic Basis and Transcendence of Marriage and Love Patterns in Yin Zhannaxi's Works
In the novels"Moon Cuckoo""Red Cloud Tears""One Floor""Weeping Red Pavil-ion"and"Romance of the Qing Dynasty"Yin Zhannaxi,a famous writer,thinker,and histori-an in the late Qing Dynasty,the unique mode of marriage and love is mainly manifested as"in-tergenerational marriage""matchmaker's words"or"finger marriage""one man and multiple women"character structures,and a fusion of emphasis on emotional communication between men and women.We strive to further sort out the inheritance relationship of marriage and love patterns in Yin Zhannaxi's various works and the social roots of various elements in marriage and love patterns,and explore the progressive ideas in marriage and love patterns based on the exist-ing research results and conclusions of predecessors.Paying attention to and studying these con-tents helps to interpret the content of Yin Zhannaxi's works,get closer to his inner journey,highlight the profound ideological nature of his works,and create a more three-dimensional im-age of Yin Zhannaxi.
Yin Zhannaxi's worksmarriage and love patternsrealistic basistranscendence
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