Based on a large number of manuscripts of Mr.Yang Mingzhao in the collection of Mr.Yang Xun and Mr.Wang Enping,this paper analyzes the origin and rheology of Yang Mingzhao's calligraphy art due to the influence of fami-ly studies and the guidance of Mr.Guo Shaoyu during his study at Yenching University.This paper discusses the gradual transformation of Yang Mingzhao's calligraphy art from daily writing to the ancient method of directly chasing Yan Zhen-qing's calligraphy,and then to the transformation of people with old calligraphy,as well as the relationship between him and Sichuan higher calligraphy education.Research shows that Yang Mingzhao's calligraphy transcends the cultural sig-nificance of the text,that is,the style of a generation of literati.This paper is the first one to study Yang Mingzhao's manu-script calligraphy,emphasizing that Yang Mingzhao's calligraphy image is obscured by his academic influence.As the last master of Shu Studies,the academic community should study him in a multi-dimensional way,so as to highlight the cultur-al style of that generation of scholars.
Yang Mingzhaomanuscript calligraphyScholar's calligraphyliterati style
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