首页|在"风土"与"人心"之间——论罗伟章《尘世三部曲》的叙事结构

在"风土"与"人心"之间——论罗伟章《尘世三部曲》的叙事结构

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《尘世三部曲》的合体出版意味着,"三史"间的关系进一步融汇,在"心灵史"的意义之外,还昭示了空间向度的意涵.不仅于内容上有所臻美,还于结构上再度焕新.借镜日本学者和辻哲郎风土学于空间理论方面的相关见解,锚定"风土"与"人心"两个向度作为罗伟章赋予"尘世"主题的分殊内涵,前者为"尘世"的历史性空间,后者为"尘世"的社会性存在.尘世"之下的"风土"与"人心",以富有哲学意味的主题塑造了"三史"的血肉,它们之间的关系则牵绊着"三史"间的灵魂,这种"主题-并置"的空间叙事,昭示了《尘世三部曲》的结构美学.
Between"Fengtu"and"Heart":On the Narration Structure of Earthly Trilogy Luo Weizhang
The combined publication of Earthly Trilogy means that the relationship between the"three histories"is further integrated,and in addition to the meaning of"spiritual history",it also reveals the meaning of spatial dimension.It is not only beautiful in content,but also refreshed in structure.Drawing on the relevant insights of Japan scholar Watsuji Tetsuro's terrology in space theory,this paper anchors the two dimensions of"Terroir"and"Heart"as the different conno-tations that Luo Weizhang gives to the theme of"earthly",the former being the historical space of"earthly",and the latter the social existence of"earthly".The two dimensions under the"Earth"shape the flesh and blood of the"three histories"with philosophical themes,and the relationship between them is tied to the soul of the"three histories".This"theme-juxta-position"spatial narrative shows the structural aesthetics of Earth Trilogy.

Luo WeizhangThe Earthly Trilogylocal customs and conditionsspatial narrative

黄珈琪、周毅

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四川大学文学与新闻学院,四川成都 610207

罗伟章 《尘世三部曲》 风土 空间叙事

2024

四川文理学院学报
四川文理学院

四川文理学院学报

CHSSCD
影响因子:0.236
ISSN:1674-5248
年,卷(期):2024.34(5)